Crossing Borders: Internationalism in Modern British Art

Charlie Phillips (b. 1944) Notting Hill Carnival, 1968. Silver Gelatin Print, 30.5 x 40.6cm Courtesy of Centre for British Photography

In British Art Fair’s special exhibition Crossing Borders this autumn, we highlight the significant contribution of 20th century immigration to the evolution of modern British art and culture, highlighting the broad definition of ‘British Art’ at the Fair.

Artists who came to live and work in Britain from all over the world during the 20th century and contributed significantly to its culture, are the subject of a wide-ranging exhibition.

Artworks by immigrants to the UK from India and Pakistan, Central and Eastern Europe, Africa, the Caribbean, Australia and New Zealand, and America will all be on display. Works are being supplied by past and present exhibitors of the fair and will be for sale with prices ranging from four to six figures.

The exhibition is being co-curated by Colin Gleadell, who is on the fair’s advisory committee, and art historian and author Monica Bohm-Duchen, founding director of the Insiders/Outsiders project.

The truly diverse and global nature of Modern British Art is explored in three texts written by Colin Gleadell to accompany the Crossing Borders exhibition.

These essays trace the immigration of artists to the UK in the 20th century and reveal the impact of their work on the visual arts in Britain.

Talk by Monica Bohm-Duchen

Friday 29 September 4pm 

Monica Bohm-Duchen, London-based art historian and guest curator of Crossing Borders, will give a talk on this  exhibition, highlighting and contextualising key works that tell a story of twentieth century British art hugely enriched by the presence of artists from a wide range of geographical and cultural backgrounds. Starting with the Jewish immigrants who found refuge here from the anti-semitic pogroms of Russia and eastern Europe, and followed by the (mostly) Jewish refugees fleeing Nazi persecution in the 1930s, the story continues in the post-war period with members of the Windrush Generation as well as countries that have links to their UK through their colonial histories. By the 1970s, the British art scene was more vibrant, diverse and truly international than ever before.

Read Monica Bohm-Duchen’s essay to accompany her talk and the exhibition here.

David Bomberg (1890-1957), Calle San Pedro, Cuenca, 1934. Oil on canvas, 67 x 52 cm. Courtesy Osborne Samuel Gallery

Exhibiting Galleries

Austin Desmond Fine Art

Ben Uri Reference Collections

Broadbent

Christopher Kingzett

Dominic Kemp Modern British Prints

England & Co Gallery

Felix and Spear

Gallery Different

Grosvenor Gallery

 Gwen Hughes Fine Art

Jack Wakefield

James Hyman

Jenna Burlingham

Jonathan Clarke

Julian Page

Kaye Michie

Kynance Fine Art

Middlemarch Fine Art

October Gallery

Osborne Samuel

Piano Nobile

Richard Saltoun Gallery

Simon Hilton

Timothy Taylor

Upstone

Vigo Gallery

Whitford Fine Art