Sir Antony Caro and John Golding

Caro/ Golding: In Conversation, Piano Nobile’s exhibition at the British Art Fair will be the
first to align the work of lifelong friends, Anthony Caro (1924-2013) and John Golding (1929-
2012) and to explore their affinities and shared influences. By showing their work together,
the exhibition will cast a new light on their respective paths toward abstraction. As close
contemporaries, they both absorbed the influence of Abstract Expressionism and translated
it into a British context. Consequently, both artists can be regarded as pioneers in the
development of 20th-century art: Caro through his de-plinthed, painted, welded and bolted
sculpture, and Golding, first through his seminal writings on Cubism and Abstract
Expressionism, and second by his impressive and diverse oeuvre of hard edged and colour
field paintings.
Piano Nobile’s display will show these two artists at the moment they arrive at their full
creative maturity in the early 1970s. Caro’s intimate and tactile Table and Writing
Piece sculptures reclaim the plinth he had discarded in the early ’60s. Created as
independent objects – not maquettes designed for enlargement – they illustrate the artist’s
ability to integrate strong sculptural forms into domestic space on a human scale. Golding’s
painting from the same period is similarly interested in the human frame. Corporeal
contours like wisps of smoke in his early work harden into abstract lines and expansive
bodies of colour in the ’70s. The exhibition is supported by archive correspondence between
the two that illuminates their personal bonds and working processes.

Ivon Hitchens

For the first time in a generation in London visitors will be able to view an exhibition in a public space by Ivon Hitchens with over 25 works from all periods of the artist’s career on view.  The presentation is mounted by Jonathan Clark, the noted Hitchens specialist and dedicated to the memory of Victor Sandelson (1928-2017), the father of the fair’s new owners. As an art market correspondent for the Financial Times,  Victor Sandelson wrote about Hitchens in the early 1950s. He would later collect Hitchens’ works, although the artist’s request to paint Victor’s wife nude was turned down. Hitchens is now recognised as the pre-eminent landscape painter of 20th century Britain. The presentation will be a unique opportunity to view the artist’s development over the decades.